The Cultural Identity of Eco-Sustainable Architecture

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Аннотация

Eco-sustainable architecture is not just environmentally oriented construction but a comprehensive, holistic approach that integrates ecological, social, economic, and cultural aspects. In this context architecture becomes not only a means of minimizing environmental impact but also an important tool for forming social interactions and cultural identity. It aims to create an environment that takes into account the interests of various social groups, supports cultural diversity, and promotes sustainable urban and settlement development. The socio-cultural aspect plays a key role in sustainable urban development. Public spaces, parks, pedestrian zones, and art objects create an environment for interaction and strengthen social cohesion, fostering a dialogue between residents and urban space. Public art – from street art to land art – plays an important role in creating a unique identity for places, ensuring an emotional connection between people and their surroundings. A striking example is the project “7000 Oaks” by Joseph Beuys, emphasizing the importance of collective participation in forming the urban environment and recognizing the role of nature in urban life. Thus, eco-sustainable architecture is not only the environmental damage minimizing strategy but also the mechanism for building a harmonious, inclusive, and culturally rich society, where architecture serves as a means of integrating ecology, art, and social interactions.

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Авторлар туралы

A. Remizov

National Public organization “Union of Architects of Russia”

Хат алмасуға жауапты Автор.
Email: re.mi@mail.ru

Chairman of the Council for Eco-sustainable Architecture of the Union of Architects of Russia, Professor, International Academy of Architecture (Moscow Branch)

Ресей, 12, Granatny Lane, Moscow, 123001

Әдебиет тізімі

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Әрекет
1. JATS XML
2. Fig. 1. Garage Museum of Modern Art (Moscow, RF). The initial project – architect I.M. Vinogradsky, 1968. Reconstruction – arch. Ram Koolhaas, OMA Architectural Bureau, 2014. The author’s photo

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3. Fig. 2. East Side Gallery (Berlin, Germany). 1990. Photo: © https://travelmate.tech/ The photographs are sourced from open-access materials and do not infringe upon the rights of third parties

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4. Fig. 3. The Vertical forest (Bosco Verticale) (Milan, Italy). Arch. Stefano Boeri. Implementation: 2009–2014. Photo: © https://www.istockphoto.com

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5. Fig. 4. The High Line (New York, USA). Archbureau Diller Scofidio + Renfro. 2014    Photo: © https://commons.wikimedia.org

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6. Fig. 5. Lincoln Memorial (DC, Washington, USA). Arch. Henry Bacon. 1922 Photo: © https://ru.wikipedia.org

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7. Fig. 6. Cloud Gate (Chicago, USA). Sculptor: Anish Kapoor. 2006 Photo: © https://gochicago.ru/cloud-gate/

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8. Fig. 7. Street Art Museum (Saint-Petersburg, Russia). Arch. Bureau: JKMM Architects. Project “The Forest”. 2012 Photo: © https://streetartmuseum.ru/o-muzee/

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9. Fig. 8. Spiral Jetty (Utah, Great Salt Lake, USA). By Robert Smithson. 1970 Photo: © https://ru.wikipedia.org

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10. Fig. 9. The project “7000 Oaks” (“7000 Eichen”). (Germany). By Joseph Beuys. 1977. Photo: © https://ru.wikipedia.org

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